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<entry>20258</entry>
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<title><string language="fre"><![CDATA[Improvising Interaction]]></string></title>
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<string language="fre"><![CDATA[Even the most tightly scripted solo performances involve improvisation? the detailed execution of each note
or word cannot be completely determined in advance. In joint performances the challenge of co­ordinating
the actions of multiple people in real­time becomes even more complex. One response to this challenge has
involved appeal to prediction using ‘forward models’ from computational models of action planning. These
models involve automatic activation of motor representations of the future perceptual consequences of an
unfolding action. Although normally associated with action production, if a person perceiving the action can
also produce a forward model they can predict what word or note will come next. An important problem with
this approach is that it is by definition conservative. It only works for familiar or rehearsed actions and cannot
account for the production of novel or improvised responses. Using case studies from free jazz improvisation
and conversation I will illustrate this problem for natural co­ordinated action. Rather than relying on access
to pre­established shared representations, constructive engagement in these situations requires
mechanisms that enable people to adapt and create new conventions on the fly i.e. improvise. I will argue
that the key processes through which this is achieved are the interactional processes of ‘repair’ that we use
to detect and deal with things that do not go as expected. These mechanisms are not auxiliary but rather
provide the fundamental foundations on which all successful human interaction depends.]]></string></description>
<keyword><string language="fre"><![CDATA[interaction linguistique]]></string></keyword><keyword><string language="fre"><![CDATA[improvisation]]></string></keyword>
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<entity><![CDATA[BEGIN:VCARD
VERSION:3.0
CLASS:PUBLIC
REV:2021-07-06 16:56:57
FN:Patrick HEALEY
N:HEALEY;Patrick;;;
URL;TYPE=work:http://www.eecs.qmul.ac.uk/people/view/3007
ROLE:author
NOTE:Digital technologies provide uniquely flexible media with the potential to transform human communication. They offer new ways to capture, modify and project communicative actions (e.g., words, gestures and expressions). This creates the potential for new forms of mutual-engagement and new forms of ‘language’. My research applies models of human communication - drawn mainly from Psychology and Sociology - to understanding these processes. It uses technology both as an experimental tool for the study of interaction and as an application area for testing and developing theories of interaction. 
TZ:+0200
END:VCARD
]]></entity>
<date><dateTime>2015-11-04</dateTime></date>
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<string language="fre"><![CDATA[Droits réservés à l'éditeur et aux auteurs. 
BY NC SA]]></string>
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<entry>https://www.canal-u.tv/producteurs/site_pouchet_cnrs/sfl/seminaires/joint_improvisation_meeting_jim_2015</entry>
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<string language="fre"><![CDATA[Joint Improvisation Meeting (JIM) 2015]]></string>
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<string language="fre"><![CDATA[Universités Numériques Thématiques 2009 http://www.universites-numeriques.fr]]></string>
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<string language="eng">DDC 22nd ed.</string>
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<string language="fre"><![CDATA[Interaction sociale, communication]]></string>
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<string language="fre"><![CDATA[Danse]]></string>
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