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<title><string language="fre"><![CDATA[Fancying Nature: the posterity of Joseph Addison’s ‘Pleasures’ in English Enlightenment culture / Frédéric Ogée]]></string></title>
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<string language="fre"><![CDATA[Fancying Nature: the posterity of Joseph Addison’s ‘Pleasures’ in English Enlightenment culture / Frédéric Ogée, in colloque international "Fancy?Fantaisie?Capriccio. Diversions and Distractions in the Eighteenth Century" organisé, sous la responsabilité scientifique de Muriel Adrien, Melissa Percival et Axel Hémery, par l’Université Toulouse Jean Jaurès et l’Université d’Exeter. Toulouse, Musée Paul-Dupuy, 3-4 décembre 2015.
In this paper, Frédéric Ogée would like to discuss the seminal influence of Joseph Addison’s famous series of Spectator essays entitled ‘the Pleasures of the imagination’ on the new forms of artistic expression (novel, landscape garden, painting) which emerged in England in the eighteenth century. In the first essay, Addison claims that he will use the two terms (imagination and fancy) ‘promiscuously’, and then goes on to define their true meaning at great length. At the heart of his aesthetic theory is the provocative assertion of nature’s superiority over art. In literature, garden design or art, writers and artists proposed resolutely new creations which all attempt to expore this ‘modern’ link between nature, fancy and pleasure.]]></string></description>
<keyword><string language="fre"><![CDATA[vie intellectuelle (histoire)]]></string></keyword><keyword><string language="fre"><![CDATA[art (Grande-Bretagne)]]></string></keyword><keyword><string language="fre"><![CDATA[art (18e siècle)]]></string></keyword><keyword><string language="fre"><![CDATA[Joseph Addison (1672-1719)]]></string></keyword><keyword><string language="fre"><![CDATA[influence artistique (Grande-Bretagne)]]></string></keyword>
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NOTE:Jean Jimenez est réalisateur audiovisuel, chef du Service de Conception et Production Audiovisuelle et Multimédia (SCPAM) au sein de la Direction des Technologie de l'Information et de la Communication pour l'Enseignement (DTICE) à l'Université Toulouse-Jean Jaurès (France). En 2000, il a soutenu une thèse de doctorat en Sciences de l'information et de la communication intitulée "Réalisations audiovisuelles dans la vulgarisation de la recherche scientifique : bilan d'une collaboration", sous la direction d'Etienne Ithurria. 
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NOTE:Frédéric Ogée is Professor of English Literature and Art History at Université Paris Diderot (France). His main areas of research are 18th-century aesthetics, literature and art, on which he has published several volumes and articles, including two collections of essays on Hogarth. In 2006-07, he curated the first-ever exhibition on William Hogarth for the Louvre. Some of his recent publications include: Better in France? The circulation of ideas across the Channel in the 18th century (Bucknell University Press, 2005), Diderot and European Culture, a collection of essays (Oxford: The Voltaire Foundation, 2006, re-issued 2009), and J.M.W. Turner, Les Paysages absolus (Paris, Hazan, 2010). In March 2012, he co-organized a conference at UCLA on “Taste and the five senses”. His current projects include a monograph and an exhibition on the Scottish Enlightenment and France, in collaboration with the National Galleries of Scotland. Since October 2014, Frédéric Ogée has been a member of Tate Britain’s Advisory Council. &gt; Voir sa page personnelle (Univ. Paris Diderot). 
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